Sunday, 19 October 2025

To be or Knot to be


 

It's funny that after over 30 years of marriage, you can still find new things to fall out about...

 However, somehow I had managed to annoy my wife, and to be honest, I still wasn't sure what I did wrong.

It all started in September. Normally, October is my go-to month for photo projects. I use up a bit of holiday and head off for a me day on some exotic wind-swept beach like Hull. This year, however, I had made a cock up and found that rather than my usual plethora of spare holidays, I had managed to use up all my holiday allocation. To be honest I found this a bit irritating.

I was then reading one of those photography magazines that show you wonderful places to go to take images, which are normally out of my reach, and it mentioned the Norfolk RSPB reserve in Snettisham and the so-called "Knot spectacular". 

This is an annual event, where huge numbers of waders, called Knot, congregate on the East Coast, creating spectacular murmurations. This can only be seen at certain times of the year, when a high tide pushes them up the mud flats to the viewing areas. 

It had been on my photographic bucket list for a number of years, and looking at the dates, there was one that occurred at 7:30 am on a Saturday. Suddenly, my holiday limited-year problem had been solved. All I had to do was get to Snettisham for the early morning, and I would have a plethora of photographic opportunities.

Snettisham is 2 and half hours from me, and I really didn't want to start off at 4 in the morning, so I booked a Travelodge in nearby Kings Lynn (Slogan - Boring hotels, for cheap people), I was quite pleased with myself, and here I may have made a small mistake of not first mentioning my plans to my wife, until a few weeks later when she wanted to discuss plans for the rest of the year. When I told her my cunning plans, she was not amused that I had done this without consulting her, and I was in the dog house for weeks after.

Still the die was cast, and so it was I found myself on an empty East Anglia road at 5 in the morning, trying to find the RSPB reserve car park. 

Why so early? Well, in my research, it stated that the car park was small and filled quickly. As it was, there were already a number of cars there, so I parked up and started the 2 Km walk to the viewing site. 

Walking in the dark to an unknown area is a weird experience, since you are living in a small tunnel of light with only a vague idea of what is around you. In my head, I had already decided what image I would come up with. Because it was a morning start, I hoped to catch the murmuration against the rising sun. The forecast leading up to the day was hopeful; Even on the day, it showed sets of broken clouds, however that turned out to be a lie, and instead a unbroken set of clouds hung over the horizon.

The RSPB brochure promised a cheery RSPB guide to direct you to the right spot and give advice. However, the only guide I saw was someone a afer a kilometre in, using people skills that can only be gained from many years of solo bird watching, informing me like a 2nd World War air raid warden, to extinguish my torch. Not sure why, since I doubt the illumination from a single head torch was going to scare off the flocks, and while the remaining  path was OK, at places suffered from erosion and I really didn't want to fall and turn my ankle. 

After about a 20 minute walk, I arrived at the area looking over the mud flats. I had done a lot of research, studied maps etc, but I was still not sure where the best spot would be. Also, I was painfully aware that my best long lens - a 150-400 with a 1.5 converter (min aperure f8), was going to be against photographers with fast 600mm+ lenses. I hoped the birds would get close enough in to get close-up shots, but if not, I was going to try to do something a bit more artistic with the fast-moving flocks.

I was also interested to see how the fuji camera bird detection mode would work in a flock and low-light situation.

I arrived at about 6:30 a.m. so there was plenty of time to take in the surroundings. You would have thought there would be a community spirit in such a gathering, but there was virtually no conversation as we stared out into the morning gloom.

Waiting for Knotto

 

 The 1st thing I saw was what I initially took as rocks, which turned out to be geese, roosting on the mud. As the light rose, these took off, as they went to their feeding grounds. My camera struggled to lock onto these targets in the poor light, and I could only hope for better results when the light grew.





 

As the tide came in, so did various flocks of birds, not the expected knots, but large flocks of Oyster Catcher and some rarities like spoonbills.  Although the tide table indicated a high tide of 7:30 am, the water did not actually come to the shore till much later. 

The ever-diminishing mud line is what encourages the waders to come closer. As it was even at 8 am, the flocks were quite a distance away. 












 

Every once in a while, as if conducted, they would take to the air, creating patterns in the sky. While wonderful to see, it did not quite reach spectacular proportions. 

After a while, the Oyster Catchers and Knots went over to the nearby gravel pits pools on the other side of the sea wall.  I have seen images of huge swathes of birds, and I wanted to get a similar image. So at about 9, I decided to beat the rush and head off to the nearby hide, humorously called Knots Landing.

Knots Landing hide is a relatively new hide, and instead of the traditional slotted ports, it has large viewing areas of tinted glass, which is great for viewing, but leaves a lot to be desired for photography. They also provide camera ports at knee and ground-level . Most of these were already occupied, and there was definitely a social issue on how to manoeuvre to one of the spare ones. Unfortunately, in my excitement about accessing a free slot, I forgot to check my camera settings, and it was still on high ISO, so most of my images were noisy and bit on the sogt side.

 







Not that it mattered too much, since the flocks were not as big as I had seen on other days. A lady I spoke to later, who had travelled all the way from Southampton and sported a huge 600mm prime on her waist, said that the "spectacular" had been a bit disappointing and tomorrow would be better, which is not the information you want to hear when you are on a one-day trip.

 I then had to decide what to do next. I followed the path around the pool and came up next to the shoreline. By this point, it was 10 am, and the tide was fully in, so I spent some time taking images of an old quay way that stood out. In hindsight, I think I would have been better standing there earlier, since the birds went closer to that point than where I was standing earlier. 

I was also surprised to find the birds were still murmurating long past the 7:30 am peak time given. I was also taken by the Oyster Catchers as they headed out to sea in small flocks. Although not a rare bird, their black and white plumage, long orange beaks make them quite eye-catching, and I spent a lot of time trying to capture them in flight.







 

As is usual in my world, the clouds had broken up by midday, but the birds had largely dispersed. As I trudged back to the car park, I could inspect the landscape I had missed in the night stroll. To be honest, Snettisham is not the prettiest of reserves, being flat and largely treeless. Without these yearly events, there would not be much to recommend it over some of the bigger reserves down the coast, such as Minsmere or Clay Marshes. 

I then decided I needed lunch, so I headed into Hunstanton (Slogan - Kiss me quick, then get a dose of penicillin), and I spent a few happy minutes taking pictures of the colourful beach huts. Then it was a long drive back home, to find out whether my wife had forgiven me yet...

In hindsight... 

So did I get that ground-shattering nature shot?  Simple answer, no.  When I got back, I was a little disappointed in my shots, especially those taken in the hide. But maybe I shouldn't be. Fuji cameras are not over-supplied with large fast long primes, and therefore, I was always going to be limited as to what shots I could get. However, I spent a day watching one of the great nature spectacles, and maybe that should be enough. 


The fact my photography was not up to capturing it in all its glory is incidental 

So what did I learn 

1. Be a bit sceptical about tide tables. The actual high tide is actually later

2. Enjoy the day. Yes, its great to take photos, but be part of the moment as well

3. Tell your significant other your plans well ahead of time... 

 Snettisham Video





Hunstanton groynes

Mud Flat Patterns

A few years ago, one little Egret would of been big news, now you can see loads

Praying to the gods of photography

Take one camera into the shower...


Landscape too

Egret and spoonbills

 

Marsh Harrier too...

 

 

 

 

 

 

 

Wednesday, 13 August 2025

Chasing Bikes



I have a love/hate relationship with London.

On the one hand, London is probably the most culturally rich city in the world. You cannot throw a pack of jellied eels without hitting a museum or a historical landmark. Seriously, we went to Paris, and struggled to find anything that was a) particularly good and b) free. France goes on about the Louvre, but in my mind, London has at least 3 museums at least as good, and they are largely free to enter

On the other hand, London always feels overcrowded, fractious, and continuously stressed. I can take it for a short while, but the thought of spending more than a few days would send me screaming to the nearest train station.

One of the aforementioned cultural gems in London is the British Museum. Yes, we can all tut-tut about its imperialist past and the issues of cultural appropriation, but the fact is, there is nowhere in the world where you will find such a wide range of archaeologically significant objects under one roof. You can easily spend a whole day there and still find you've missed, say, the Native American exhibition.

Normally, I plan to go to London at least one day a year, on my own. My wonderful wife struggles to understand why I do not plan it as a family event, but I have good reasons. 

Firstly, I like to keep my plans as loose as possible. This is not my wife's way. She would demand we have an itemised plan set to military precision, while I don't want to be tied down. 

Secondly, despite my avowed intention to go to an exhibit, my main reason to go is to take photographs. I just cannot do photography in groups, because again, I don't know what I plan to take images of, and need the time and flexibility to pivot if the original ideas are not working

 




My initial plan was to visit the Hiroshige exhibition at the British Museum. Hiroshige was a 19th century Japanese artist, painting just before Japan was forced to accept foreign travellers and started to looking to the West for inspiration, turning away from the kind of imagery perfected Hiroshige and Hokusai, since it was considered old-fashioned (ironically at the same time, Western artists had discovered Japanese art and the impressionists especially were greatly influenced. Van Gogh even copied one of Hiroshige images)

I booked a slot for 12 O'clock, then got seriously scalped by British Rail for a return top London, and arrived at 11. I strolled to the museum only to find vast queues waiting to go in. For a while, it was touch-and-go whether I would get in at all. The issue seemed to be the now obligatory extinction rebellion/PLO action bag search at the entrance. (Just to say the searches are a joke. My bag has more pockets than even I can find, but they only look in the main section and ignore the rest).

I got seriously bored in the queue, so I decided to take images of my fellow travellers and then anything else that took my fancy. One thing that drew me was the cyclists. 


 

 

London cyclists are a breed apart, ignoring traffic, road signs and pedestrians as they speed around the streets. There are many, and it felt like a good opportunity to practice my panning techniques and street photography at the same time

Fortunately, I got into the museum at 11:50. However, my plan to spend a good 45 minutes exploring other parts of the museum was now ruined, so I made my way up to the exhibition. I was worried that the exhibition itself would also be cheek by jowl, but actually it was relatively empty. 

While the exhibition was interesting, it was a bit on the short side. Hiroshige made over 200 popular prints, the exhibition only covered a handful (I was a bit annoyed to find some of the most popular images you could also see for free in the Japanese gallery).  

This meant I had time to kill, so I spent a few minutes taking images in the iconic Sainsbury gallery. I should not do this, since it has been photographed to death by others, but sometimes there is comfort in doing the obvious.





 

By one O'clock I had finished, so the question was what to do next. Before going down, I had done a quick Google search of photo exhibitions and noticed the RPS had their show at the Saatchi gallery in Sloane Square. A few problems with that, firstly, Sloane Square is in Chelsea, where the other half live. By the other half, I mean the other 1% people who have so much money that all they have to do is spend it. Secondly, I have never been a fan of the RPS. I know a number of people who attempt to get RPS accreditation, and they seem to demand bland and unadventurous imagery. 

Still without any other ideas, I took a short tube ride to the gallery. There I was, quite surprised. The images bordered on what some would term arty bollocks, and were really quite interesting. However, again I had time to kill, so I decided to pay to go to the flower exhibition in the same gallery. This hurt because I was giving money to a gallery that commemorated one of the more odious individuals in British society. It felt like paying to go into the Pol Pot pottery museum.




 

The exhibition was about how flowers are represented in all forms of art media, including photography and was surprisingly good     

Finally, I popped into the Fuji gallery on Leicester Square, to be tempted by the toys on offer and the small photo exhibition upstairs. 

So, did I get anything out of the day? 

Despite its brevity, the Hiroshige exhibition was enjoyable, and I got some inspiration from both the RPS and Flowers shows. However, the best part of the day was just being on my own, sniping at cyclists. These won't win me any awards, but I felt good doing it, and in the end, that is what matters, isn't it?     
















No pictures please